Contemporary Fiction

Juggernaut — Desmond Bagley

First published 1985.  Fontana, paperback, 1986, pp 320, c.105,000 words. This is a classic Desmond Bagley thriller.  It was nearly completed in 1970, immediately after Running Blind, however Bagley seems to have felt that he had written himself into a corner and couldn’t immediately find a suitable ending.  He put the manuscript aside with the

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Exit — Duncan Kyle

First published 1993.  Harper Collins, paperback, 1993, pp 253, c.90,000 words. Duncan Kyle’s thrillers involve some high-octane plot which often use Russians as the bad guys and the fate of the world lying in the hands of some everyman.  Exit follows this simple formular.  It was the last thriller he wrote, and was published some

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Women and Ghosts — Alison Lurie

First published 1994.  Minerva, paperback, 1994, pp 211, c.70,000 words. I’m not a fan of ghost stories, but I do love Alison Lurie’s writing, and as this is the only fiction of hers I haven’t read… well it was time. There are ten unconnected stories in this collection, and they average about twenty pages apiece.

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Sweet Tooth — Ian McEwan

First published 2012.  Vintage paperback, 2013, pp 374, c.110,000 words. The protagonist in this novel wins a place at Cambridge University to study mathematics at the urging of her mother when she would have preferred to study English at a provincial university.  While at Cambridge she does a minimum of maths but reads voraciously instead. 

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Quarry, The — Iain Banks

First published 2013.  Abacus paperback, 2014, pp  374, c.115,000 words. A group of university friends gather at a house owned by one of them for a weekend reunion.  The house is falling apart, and the house owner has a son ‘on the spectrum’, i.e. (mildly) autistic, and it is through his eyes we witness the

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England Made Me — Graham Greene

First published 1935.  Penguin paperback, 1973, pp 207, c.75,000 words. This felt surprisingly modern, particularly as it was first published eighty-eight years ago.  With only a few very minor tweaks it could have been written last year.  The main protagonist is a man who has failed to find a satisfying position in life.  He is

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Seawitch — Alistair Maclean

First published 1977.  Harper paperback, 2009, pp 274, c.65,000 words. Everyone involved with this book should be embarrassed.  Maclean usually writes to a much higher standard than this.  The New York Times review said MacLean “stumbles badly”; how right.  The plot is implausibly ludicrous, the characters a mess of cliches. My guess is that Maclean

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