Contemporary Fiction

History of Mr Polly — H G Wells

First published 1910.  Everyman paperback, 2001, pp 235, c.75,000 words. Aside from Well’s future fiction, this is one of his best-known works.  How well does it stand up today?  Wells was rather inclined to inject his own views and prejudices into his fiction, although this is perhaps the last of his primarily fiction works according […]

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Ebony Tower, The — John Fowles

First published 1974.  Granada paperback, 1981, pp 304, c.110,000 words. Nowhere on the cover of this edition does it say that this is a collection of stories, presumably because the publishers know that would lower sales.  There are actually five stories here, the first being the longest at about a hundred pages.  I was just

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High-Rise — J G Ballard

First published 1975.  Fourth Estate paperback, 2014, pp 253, c.65,000 words. This is classic Ballard: set in a concrete tower-block in London, the characters never seem to engage one another at an emotional level and there is a steadily growing dystopia.  The story concerns three main protagonists: Wilder from floor three, Laing from floor twenty-five,

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Lord Jim — Joseph Conrad

First published 1900.  Wordsworth paperback, 2002, pp 261 + 40p of introduction, notes, etc., c.120,000 words (main text). Conrad must have been a natural linguist to be able to write so well in English, his third or possibly fifth language: after Polish and French and probably Russian and German.  He is little concerned with the

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Espedair Street — Iain Banks

First Published 1987.  Abacus paperback, 2013, pp 362, c.97,000 words. Mock-rock biopics are fertile ground to plough owing to the excesses of prog-rock and heavy metal bands.  This is Spinal Tap, the 1984 film, set a blistering pace with several snippets become culturally embedded such as ‘turning it up to eleven.’  This is Banks’ take

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