William Graham

Wasp Factory, The — Iain Banks

First published 1984.  Abacus, paperback, 2013, pp 244, c.75,000 words. This was Banks’ first published novel, although he had written a number of unpublished science fiction books prior to this.  He was then aged thirty and had spent much of the previous decade doing casual jobs which allowed him considerable time for writing. I had

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Domino Island — Desmond Bagley

First published 1972.  Harper Collins, paperback, 2020, pp 312, c.85,000 words. This is another ‘almost Bagley’.  Along with Juggernaut and Night of Error, he didn’t publish this and it was only found in his document archive, held at the Boston University in the USA in 2017, by Philip Eastwood, a Bagley devotee.  Along with a

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Stellaris – People of the Stars — Les Johnson and Robert E Hampson (editors)

First published 2019.  Baen, paperback, 2019, pp 312, c.110,000 words. This book arose out of a symposium held by the Tennessee Valley Interstellar Workshop in 2016.  It is a collection of science fiction stories and essays on aspects of interstellar travel relating to how humans might adapt to allow them to flourish more easily in

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Early History of Rome, The — Livy

First published c.29 B.C.  Penguin, paperback, 2002, translated by Aubrey de Sélincourt, pp 488, c.155,000 words (main text). Roman historians of Livy’s period apparently valued literary style above historical accuracy, which may be just as well for the general reader because this makes, in the most part, for an excellent read. This volume is an

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Maddon’s Rock — Hammond Innes

First published 1947.  Fontana, paperback, 1988, pp 272, c.90,000 words. This story was originally written as a radio serial and later re-written into book form.  It retains some of the distinctly episodic structure of the original which makes for a slightly uneven read. The plot starting point is full of promise and originality:  Towards the

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Georgy Girl — Margaret Forster

First published 1965.  Vintage, paperback, 2005, pp 275, c.70,000 words. This novel was a great success when first published, making Margaret Forster’s name, and was made into a successful film.  The story is contemporary, and covers the transition that British society was going through from the class-based order of the old world to the youth

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