William Graham

Ebony Tower, The — John Fowles

First published 1974.  Granada paperback, 1981, pp 304, c.110,000 words. Nowhere on the cover of this edition does it say that this is a collection of stories, presumably because the publishers know that would lower sales.  There are actually five stories here, the first being the longest at about a hundred pages.  I was just

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As We Were — E F Benson

First published 1930.  The Hogarth Press paperback, 1985, pp 355, c.110,000 words. The cover of this edition shows a cartoon of Benson’s parents and siblings, so it was not unreasonable to expect something like a biography of his family, and indeed there is a little here.  But the subtitle, ‘A Victorian Peep-Show’, gives a greater

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Crisis — Frank Gardner

First published 2016.  Bantam paperback, 2017, pp 553, c.175,000 words. This is a workman-like, if unoriginal, thriller.  Luke Carlton is the protagonist, a former special forces officer who is now working for British Intelligence.  This is exactly the same premise as Gavin Lyall’s Harry Maxim (see The Secret Servant, 1980, for example) or Andy McNab’s

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Alien Heat, An — Michael Moorcock

First published 1972.  Granada paperback, 1979, pp 158, c.55,000 words. What a period piece this is with its surreal, trippy feel, characters with weird names indulging in every fantasy without guilt.  It is a decadent world without want, reducing almost immortal adults to act out childish fantasies.  It is set primarily in a very far

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Golden Soak — Hammond Innes

Golden Soak by Hammond Innes First published 1973.  Fontana paperback, 1975, pp 286, c.115,000 words. This is a classic Innes thriller, with all the usual ingredients except the sea, which in this case in replaced by the harsh deserts of Western Australia.  The protagonist, Alec Falls, is a mining engineer, and at the start of

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High-Rise — J G Ballard

First published 1975.  Fourth Estate paperback, 2014, pp 253, c.65,000 words. This is classic Ballard: set in a concrete tower-block in London, the characters never seem to engage one another at an emotional level and there is a steadily growing dystopia.  The story concerns three main protagonists: Wilder from floor three, Laing from floor twenty-five,

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